Front Entrance, “In Paradise There Are No Lies” (The Blue Book III:5), Encaustic and Mixed Media, Katrina Stock
“In Paradise There Are No Lies” (The Blue Book III:5), Encaustic and Mixed Media, Katrina Stock
“Left Behind” Prelude, Installation Above Front Entrance
Prelude, Curatorial Statement & Inventory of Sources
Inventory of Sources, 1. The Yellow Notebook, 2. The Blue Notebook, 3. The Damaged Notebook
“One Agreement” (The Blue Book II:2), Encaustic and Mixed Media, Katrina Stock “Everything, our whole life together, was based on one very simple principle, on one agreement: Looking at one another was forbidden. I mean, really looking at one another.”
“Hovering Between” (The Blue Book V1:1), Graphite drawing with Hand-Embroidery, Joelle Gebhardt
“This Body is the Wrong One ” (The Yellow Book I:8), Charcoal Drawing with Hand- Embroidery, Joelle Gebhardt
“The gaze of Grandmother Tekla’s eyes, this age old look. The same darkness as that of the universe out there between the galaxies.” (The Blue Book VII), Encaustic, Acrylic, Mixed Media, Katrina Stock
“The Peculiar, Quiet Melancholy of Boyhood” (The Yellow Book III:33), Plastic figurines, wood glue, canning jars, honey, Jenny Hawkinson
“The Peculiar, Quiet Melancholy of Boyhood” (The Yellow Book III:33), Plastic figurines, wood glue, canning jars, honey, Jenny Hawkinson
“Only: this body is the wrong one.” (The Yellow Book I:8), & “Answer: less than a millimetre. And without a name.” (The Blue Book I:1), Oil on wood, Andrea Armstrong
“What is the maximum distance you can love a human being? Answer: less than a millimeter. And without a name.” (The Yellow Book I:8), “Shortly after coffee, right before the television newscast, there was a kind of ebb tide, the water withdrew, the rocks became visible” (The Blue Book II:2) & “Much more important than the presence of the pain is keeping it hidden…” (The Blue Book II:2), Oil on wood panel, Cara Bain
“The Art of Bearing Pain” (The Blue Book IV:1), Mixed Media, Katrina Stock “According to Wilhelm Wundt, who in his last day had a not inconsiderable reputation as a psychologist, as I gather from the Nordic Conversational Encyclopedia, there are three kinds of pain. There are dull pains, stabbing pains, and burning pains.” (The Yellow Book 1:8) “And every morning the same fear, that the pains will come again. The whole winter I had pains. Now I am suffering just as much from the fear of the pain.” (The Yellow Book IV:1)
“Pitch-Black Riddle” (The Blue Book VI:1) Encaustic and Mixed Media, Katrina Stock
“Without Opening It” Ashes, paper & song Breanne McDaniel
“We Begin Again, We Never Give Up” (The Blue Book VI:1), Charcoal on mylar, type on tracing paper, Jenny Hawkinson
“We Begin Again, We Never Give Up” (The Blue Book VI:1) Charcoal on mylar, type on tracing paper, Jenny Hawkinson
“We Begin Again, We Never Give Up” (The Blue Book VI:1), Charcoal on mylar, type on tracing paper, Jenny Hawkinson
“Why?” (The Damaged Book II:5) Mixed Media Katrina Stock
“Why?” (The Damaged Book II:5) Mixed Media Katrina Stock
“Memories of a Previous Existence” (The Blue Book II:4), Encaustic, Mixed Media, Katrina Stock
‘Open Book Art Collective’, (Left to Right), Joelle Gebhardt, Jenny Hawkinson, Cara Bain, Katrina Stock, Andrea Armstrong (missing Breanne McDaniel)
openbookartcollective.com 
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